EXHIBIT REVIEW: “COLOR ODYSSEY“ Philadelphia Museum of Art
Recently, I had the chance to visit the Philadelphia Museum of Art to experience the "Color Odyssey" exhibit by Emma Amos. I was eagerly anticipating this exhibition for several reasons. Firstly, many of the creatives and artists I follow on social media had given glowing reviews of the art they had viewed. Secondly, I was intrigued to explore the work of a Black female artist who was new to me through this exhibition.
Upon stepping into the exhibition space, I was immediately greeted by vibrant colors and captivating images of Amos's work. The exhibit featured a range of art, from figurative to abstract paintings, and intricate textile designs. Not only was the art stunning, but it also provided insight into Emma Amos's journey in the art world and the inspirations that shaped her artistic evolution.
Sand Tan, etching and aquatint, 40ʺ × 30ʺ, edition of 25, 1980
As I moved through the exhibition, I found myself immersed in a world of creativity and expression that resonated deeply with me. Each piece seemed to tell a unique story, inviting me to interpret it in my own way. The way Amos played with color and form was truly mesmerizing, and I could feel her passion and energy radiating from every stroke of the brush.
One painting that truly captured my attention was a powerful portrait of a Black woman, gazing directly at the viewer with a subtle smirk on her face. In the background, two other women dressed in white, their dark brown skin glowing, exuded a sense of contentment. What stands out to me about the 'Sand Tan' artwork is how it portrays Black women in a light not typically seen – they are depicted simply enjoying everyday moments, devoid of struggle, stress, or the need to be strong. They are just present in the moment, nothing more, nothing less. The rest of the exhibition showcases vibrant hues across the canvas, creating a sense of movement and emotion that was palpable. It was as if the painting was alive, speaking to me in a language of colors and shapes that transcended words.
Targets (detail), 1992, by Emma Amos (American, 1937–2020) (Amos Family, courtesy RYAN LEE Gallery)
As I left the exhibition, I carried with me a newfound appreciation for Emma Amos's artistry and a sense of inspiration that lingered long after I had exited the museum. The "Color Odyssey" exhibit had not only been a visual feast for the eyes but a journey of discovery and connection with a talented artist whose work spoke volumes about identity, culture, and the power of art to transcend boundaries.
